If you’re passionately looking to buy a best-in-class interchangeable digital camera system after taking fantastic photographs from your smartphone or entry-level point and shoot camera and thinks that now is the time to step up your advance photo shooting skills with the entry level cameras which have larger image sensors, exceptional optics, straightforward manual controls with faster output & versatile nature of these digital camera.
Best Camera For Photography
Then we have some amazing and best digital camera range under the price tag of $1000 in categories of full-frame, APS-C and Micro Four Thirds.
it’s an exciting time to be a photographer so before you make a final deal we would like you to ask yourself what kind of photography you are looking for? What camera system preferences you have? And finally which sensor size fits your work? Confused!? Don’t worry! we are going to introduce you to the best interchangeable and compact camera systems which are available in the market right now.
Panasonic Lumix DMC G-85
The G85 is an extremely appealing SLR styled mirrorless camera for enthusiast photographers. Light-weight and weather-sealed, it offers dual control dials, a fully articulating touchscreen, and ample customization. Still image quality is excellent, the same goes for 4K and HD video quality. Autofocus is reliable, even when it comes to subject tracking and 5-axis in body stabilization allows for easy hand-held shooting. Simply put, this camera should fulfill the needs of many with ease.
Lumix G85 possess Micro Four Thirds mirrorless design 16MP CMOS sensor, dual IS (sensor shift + lens optical image stabilization), up to ISO 25,600, 49 AF points, 9fps continuous shooting, 3-inch articulating touchscreen (TFT LCD, 1040k dots), OLED electronic viewfinder, built-in flash, 4k video recording, stereo microphones, mono speaker, SD card slot, micro HDMI output, WiFi, 453 grams (body only)
Panasonic G85 is very good for Street, travel and daily life photography. Very flexible for casual sports shooting.
Videography is where the G85 shines brightest. The camera is capable of recording 4k (3840 x 2160 pixels) videos at 30 fps in mp4. Video quality is top notch in this budget and using the touchscreen you can easily select a focus point during recording. What gives the video quality a helping hand is the built-in 5-axis image stabilization — thanks to this, handheld recorded videos are smooth without any visible shake or jerks. Audio recording quality is again excellent and the presence of a dedicated microphone port makes it most desirable among the most.
What we don’t like about G85 is the poor battery performance and lack of a headphone jack to monitor levels while serious video work.
The tremendously capable camera body Sony A6300 is made of a magnesium-alloy and is sealed against dust and moisture. Whether you’re looking to shoot stills or video. Getting the best out of the camera requires a bit of work on the clumsy menu system but its sheer capability makes this worthwhile. Its image quality is at least match for anything in its class, its autofocus is very fast and its 4K video is seamless.
Sony A6300 is bundled up with 404 g, 24.2-MP APS-C size sensor model, an OLED viewfinder, tilting articulated screen, built-in flash, packing 4K video with full sensor readout at 30 fps, remarkably fast timed at .05-second phase-detect autofocus with, 11 fps burst speeds, can shoot 400 photographs in a single battery and a maximum extended 51,200 ISO range.
If you are wanting a tool that will let you take excellent images or 4K footage in a wide variety of circumstances, then this relatively small and keenly priced Sony E mount mirrorless camera is apt for you. Its still images are a match for the best in its class, its autofocus is similarly strong and its video features and quality are unsurpassed at this price point.
While the a6300 is a better camera in every possible respect, the a6500 is still a tempting option just because it’s above priced $1000, we have to resist to have it presented to you Sony a6500; which is the company’s top-tier APS-C touchscreen mirrorless model. However, the a6300 outperforms its similarly-priced digital camera and we think improvements that the a6300 offers is well enough to be part of this category.
The drawbacks of Sony A6300 are a clumsy menu system, lack of mechanical dials and poor battery life. it doesn’t have dual image stabilization like G85 and the touchscreen display. Although, shooters who do both video and audio will be better off with the A6300 than many of the pricier models out there.
Our top DSLR picks
DSLRs are the weak point of the midrange-camera category, as they lack features like 4K and in-body stabilization that can be found in mirrorless. Nikon finally released an APS-C model with 4K, the $1,300 D7500, so let’s hope that trend continues in 2018 and bringing good options in midrange DSLR. If you’re looking to get a current midrange model for less than $1,000, however, you’ll need to forget about those things and decide which cameras handle best, shoot the fastest and have the best quality images for your needs. Here are our top three picks.
Best Semi-Pro DSLR
The D7200 is a pleasant refresh of an excellent camera Nikon D7100. The sensor consists of improvements in dynamic range, AF works in lower light and the continuous shooting buffer lets you not lose any key moment while photographing with a set of its class-leading subject tracking with Active D-Lighting. We have encountered slow live mode autofocusing and lack of aperture control during movie shooting means it’s not as flexible as some of its rivals but it’s a formidable DSLR for stills photography and for who are looking for a traditional, well-featured DSLR equipped with Wi-Fi, NFC to share your photographs instantaneously with your smartphone.
D7200 features a 24.2MP CMOS APS-C sensor with no optical low-pass filter; which maximizes resolution. It has a native ISO range of 100-25600 that expands up to 102400 in black & white only. The autofocus system has 51-points with 15 cross-type sensors but now all of those points can focus down to -3EV. The continuous shooting remains at 6 fps (7 fps in 1.3x crop mode) but the D7200 can take much longer bursts thanks to that larger buffer. Other features include a 3.2″ fixed LCD, large optical viewfinder with 100% coverage, and 1080/60p video (in crop mode only), and an enhanced time-lapse feature.
However, if you’re interested in shooting video, or stills in live view, the D7200’s feature set and usability let it down. Hence, not making it useful for videographers. Meanwhile, there are smaller, lighter and similarly capable mirrorless rivals that may be equally appealing to the photographers Nikon is aiming for. Hence, making it a tough deal to bring it along with your travel. If the D7200’s strengths overlap with your needs, then it’s a good deal but Not so good for Videographers and, maybe, travel shooters should consider a mirrorless camera in this case.
Canon EOS 77D
The Canon EOS 77D is a well-rounded and well-sorted camera. The ergonomics are great, Live View performance in fully articulating touchscreen LCD is superb and Dual Pixel Autofocus continues to impress the photographers. The viewfinder is a bit on the small side and it still doesn’t shoot 4K video like Nikon D7200, but as an all-around package for the enthusiast photographer, the EOS 77D deserves a look.
Canon 77D incorporates 24MP APS-C sensor with Dual Pixel autofocus with the enhanced 45-point all-cross-type phase-detect autofocus system, fast Digic 7 processor, 3″ fully-articulating touchscreen LCD, Top plate LCD for shooting information, Dual control dials, 6fps continuous shooting, 1080/60p video capture with microphone input.
These specs are good for enthusiasts and amateurs who are looking to take more control over their photography, and those looking to capture video with ease without expecting the highest quality footage and action photography. The EOS 77D shows less moiré than the Sony A6300 which does suggest the presence of an anti-aliasing filter, though its still capturing a pretty good amount of details at high ISO.
It should be noted that, alongside other recent Canons, this is one of the only consumer cameras currently on the market that offers easy and dependable autofocus while shooting video clips; face detection and tracking are both very, very good, and this continues to be one of the most convincing use cases for Dual Pixel Autofocus in general.
At highest ISO values the image loses low contrast detail while leaving behind plenty of noise. Raw noise performance lags slightly behind the D7200 and a6300.
The $999.95 D7200 is potentially going to be viewed as the superior model of the two. It has the advantage of a sturdier built, weather sealing protection, a pentaprism viewfinder, and an extra card slot, together with better battery life and a larger, slightly higher-resolution LCD screen. Particularly for outdoor pursuits, it seems to fit the bill much better.
Although $799.99 EOS 77D has its own advantages. With a lighter body, a more flexible LCD screen that allows for touch functionality and low angle photo shoot with a newer AF system with more cross-type points and the slightly less vital addition of Bluetooth, there’s enough going on to make it a better match for those that want to benefit from slightly newer tech.
Those who are fixated to see Canon advancing Nikon’s D7200 is advised to look at Canon EOS 80D. Which offers, for example, a sturdier, weather-resistant built, together with an extra command dial, a pentaprism viewfinder and a faster top shutter speed of 1/8000sec. It’s a touch more expensive right now, but if you want to be a Canon user after something a little more capable, then 80D is a good take.
Best Entry-Level DSLR
Canon’s $750 EOS Rebel T7i; the balance of features and image quality make the T7i an excellent choice for someone just getting into photography or hoping to develop their skills and understanding. That said, the more expensive but very similar Canon EOS 77D (listed above) adds an extra control dial for faster operation, while maintaining everything that makes the T7i so dependable.
It features the same 24MP APS-C CMOS sensor and Dual Pixel AF system as the pricier EOS 77D and 80D, along with a 45-point all cross-type AF for shooting with the viewfinder, which is assisted by a 7650-pixel RGB+IR metering sensor. The T7i has a 3″ fully articulating LCD with a touchscreen and a redesigned user interface like a beginner guide for new DSLR user. The camera captures 1080/60p video and has Wi-FI, NFC and Bluetooth.
It focuses quickly and accurately whether in regular or live view/video mode, thanks to the phase-detect and Dual Pixel autofocus systems. And yet it’s much smaller and lighter, making it a good travel camera for enthusiasts who prefer to have a DSLR.
Plenty of sites like TheVerge, Dpreview, EndGadget have been talking about how Nikon & Canon losing its sales in the US due to lack of innovation compared to the rival like Sony. However, The $650 D5600 is a rock in the case even being a minor refresh over its predecessor, the D5500, and lacking features like 4K and in-body stabilization. But that’s how the DSLR world as if for now, and the D5600 still has enough to recommend it under $1000.
With D5600, you get an excellent dynamic range, lightweight, and detail from the 24-megapixel APS-C sensor that, and a big touch panel than present on Canon cameras. The 34-point autofocus system for daily life photo shooting is excellent, though Nikon is lagging well behind Canon’s Dual Pixel autofocus for video and live-view shooting. But, it also has a nice touchscreen that flips around, making selfies and vlogging manageable. On a final note, Nikon offers decent wireless connectivity for the D5600 via its SnapBridge option.
Best Entry Level
The compact Magnesium alloy body of the FujiFilm X-T20 is a beautifully designed pleasing mirrorless camera. Which offers numerous direct controls, a high-resolution EVF, snappy performance, and excellent image quality. The X-T20’s continuous AF system can struggle in low light, and subject tracking is inconsistent. 4K video quality isn’t the greatest, and capture controls are limited. Despite that, the X-T20 is a highly rated mirrorless camera and a great value for photographers.
X-T20 is a 24MP X-Trans CMOS III sensor which has Up to 325 selectable AF points, OLED electronic viewfinder, 3″ tilting touchscreen LCD, 4K UHD video at up to 30 fps, focusing in .08 sec it has 8 fps continuous shooting with AF, 5 fps with live view, 2.5mm jack for external microphone or wired remote control and finally Dials for exposure compensation, shutter speed and drive mode. Photographers, who are seeking a stylish camera with such direct controls, excellent image quality gets to have a great selection of reasonably priced lenses in their portfolio.
Although it is not so good for action photographers and those who are requiring ultra-high-quality 4K video as it lacks in-body stabilization.
Olympus OMD EM-10 III
The E-M10 III is an attractive camera that does a good job of making its range of capabilities accessible. It’s flexible and enjoyable and relatively easy to shoot good 4K video with. Its unreliable focus tracking and modest resolution take a little gloss off a camera that gives plenty of room to grow into.
M-10 III boasts 16MP Four Thirds CMOS sensor with no AA Filter, 5-axis image stabilization making it very useful for videographers, TruePic VIII processor, 4K video with in-body and digital stabilization, 8.6 fps continuous shooting, electronic viewfinder, 1.04M-dot tilting touchscreen, 330 shot-per-charge.
It is really good for keen beginner photographers but not for serious sports photographers.
Fujifilm camera has a slightly better dynamic range and low-light performance by incorporating APS-C sensor as compared to Olympus OM-D E-M10 Mark III Micro four thirds. Though, M10 Mark III ahead of the X-T20 in one key area, that it has 5-axis in-body stabilization, something sadly lacking in all Fujifilm models except the new X-H1.
Both equal in 4K video and features a 2.36-million-dot viewfinder and the same image processor as the one on Olympus’ predecessor Mark II. It’s also small and light, and Olympus has a wide and impressive selection of Micro Four Thirds lenses lineup with enough bokeh to help you forget about that smallish sensor.
Both cameras can provide you with an excellent user experience so, in the end, it comes down to your specific needs. A beginner might prefer the user-friendly interface and additional features of the OM-D E-M10 III but a more experienced user may prefer the reliable autofocus performance and extra resolution of the X-T20.
Final Verdict for mirrorless system
DSLRs offer a direct, optical viewfinder and generally focus more quickly than mirrorless models. That makes them ideal for sports and wildlife photography, but many photographers might find them not-so-handy to take on travel & vacation.
- Premier system for Wildlife and videography: Panasonic
- Premier system for street, travel, and portrait photography: Fujifilm, Nikon, Olympus
Jack of All Trades: Sony A7
Sony’s A7 which is still available for $800 (body only) and less than $1,000 with the 28-70mm f/3.5-5.6 kit lens. Which, has a 24.3-megapixel sensor and offers 1080/60p/24p HD video with both microphone and headphone jacks, crucial for videographers. Most importantly, it’s a full-frame camera, giving maximum bokeh, crisp image quality and additionally supported by a growing number of full-frame lenses from Sony and others like sigma and canon.
Five hundred dollars to $1,000 is a sweet price spot for enthusiastic camera buyers right now, and you can’t go wrong with any of my picks. That said, unless there’s a particular reason you need a DSLR, we would avoid that category and stick with mirrorless models instead. The mirrorless is more technically competent, especially for video, and are lighter and easier to carry making them more dependable and making smartphone photographs to taste the dirt.